000 05598cam a2200685Ii 4500
001 sulb-eb0034082
003 BD-SySUS
005 20170713221428.0
006 m o d
007 cr cnu---unuuu
008 151110s2016 enk obq 001 0 eng d
040 _aN$T
_beng
_erda
_epn
_cN$T
_dIDEBK
_dN$T
_dYDXCP
_dOCLCF
_dDG1
_dCDX
_dDEBBG
_dYDX
_dBD-SySUS
019 _a957617392
_a957738850
_a960271229
_a960275529
_a960276615
020 _a9781118425275
_qelectronic bk.
020 _a1118425278
_qelectronic bk.
020 _a9781118425589
_qelectronic bk.
020 _a1118425588
_qelectronic bk.
020 _z9781118424247
020 _z1118424247
020 _a9781118425268
020 _a111842526X
029 1 _aGBVCP
_b843831944
029 1 _aDEBBG
_bBV043738145
035 _a(OCoLC)928625641
_z(OCoLC)957617392
_z(OCoLC)957738850
_z(OCoLC)960271229
_z(OCoLC)960275529
_z(OCoLC)960276615
043 _aa-cc---
050 4 _aPN1998.3.W65
072 7 _aPER
_x009000
_2bisacsh
082 0 4 _a791
_223
049 _aMAIN
245 0 2 _aA companion to Wong Kar-wai /
_cedited by Martha P. Nochimson.
264 1 _aSussex :
_bWiley Blackwell,
_c2016.
300 _a1 online resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
490 1 _aWiley Blackwell companions to film directors
588 0 _aOnline resource; title from PDF title page (EBSCO, viewed November 19, 2015)
504 _aIncludes bibliographical references, filmography, and index.
505 0 0 _g(From table of contents) Part One. Introduction.
_tWong Kar-wai: Invoking the universal and the local /
_rMartha P. Nochimson --
_gPart two. Mapping Wong's liminality. 1.
_tTransnational Wong /
_rKen Provencher --
_g2.
_tIt is a restless moment: Wong Kar-wai and the phenomenology of flow /
_rJoseph G. Kickasola --
_g3.
_tWong Kar-wai and his jiang hu /
_rBérénice Reynaud --
_gPart three. Thresholds of texture and mood. 4.
_tWong Kar-wai's cinema of repetition /
_rAckbar Abbas --
_g5.
_tWong Kar-wai: The optics of the virtual /
_rAngelo Restivo --
_g6.
_tColor design in the cinema of Wong Kar-wai /
_rShohini Chaudhuri --
_g7.
_tThe value of re-exports: Wong Kar-wai's use of pre-existing soundtracks /
_rGiorgio Biancorosso --
_gPart four. In the corridors of history and culture. 8.
_tWong's ladies from Shanghai /
_rGina Marchetti --
_g9.
_tThe Sinophone cinema of Wong Kar-wai /
_rAudrey Yue --
_g10.
_tNew queer angles on Wong Kar-wai /
_rHelen Hok-Sze Leung --
_g11.
_t"Pity about the furniture": Violence, Wong Kar-wai style /
_rKaren Fang --
_g12.
_tIn the mood for food: Wong Kar-wai's culinary imaginary /
_rMike Ingham and Matthew Kwok-kin Fung --
_g13.
_t"Chungking Express", Tarantino, and the making of a reputation /
_rDavid Desser --
_gPart five. Close-up of Wong's inflections of time and space.
_t"Chungking Express": Slow -- images -- ahead /
_rRaymond Bellour ; translated by Allyn Hardyck --
_g15.
_tWong Kar-wai: The actor, framed /
_rJoe McElhaney --
_g16.
_tInfidelity and the obscure object of history /
_rVivian P.Y. Lee --
_g17.
_tMetonymy, mneme, and anamnesis in Wong Kar-wai /
_rThorsten Botz-Bornstein --
_gPart six. Focus on individual films. 18.
_tSerial, sequelae, and postcolonial nostalgia: Wong Kar-wai's 1960s Hong Kong trilogy /
_rYiman Wang --
_g19.
_tWe can't go on not meeting like this: "Fallen angels" and Wong's intertextuality /
_rMartha P. Nochimson --
_g20.
_tThe third reality: "In the mood for love" /
_rMichel Chion ; translated by Claudia Gorbman --
_g21.
_tCinephiliac engagement and the disengaged gaze in "In the mood for love" /
_rYomi Braester --
_g22.
_tWong's America, North and South: "My blueberry nights" and "Happy together" /
_rKen Provencher --
_g23.
_tQueer utopias in Wong Kar-wai's "Happy together" /
_rCarlos Rojas --
_g24.
_tWong Kar-wai's genre practice and romantic authorship: The cases of "Ashes of time redux" and "The grandmaster" /
_rStephen Teo --
_g25.
_tWong Kar-wai, auteur and adaptor: "Ashes of time" and "In the mood for love" /
_rWai-ping Yau --
_gFilmography --
_gAppendix I.
_tWong works in television /
_rChih-ting Chen --
_gAppendix II.
_tWong works in advertising /
_rChih-ting Chen --
_gSelected bibliography --
_gIndex.
520 _aContains 26 essays addressing numerous topics including intertextuality, transnationality, gender representation, repetition, the use of music, color, and sound, depiction of time and space in human affairs, and Wong's portrayal of violence.
600 1 0 _aWong, Kar-wai,
_d1958-
_xCriticism and interpretation.
600 1 7 _aWong, Kar-wai,
_d1958-
_2fast
_0(OCoLC)fst00414249
650 0 _aMotion picture producers and directors
_zChina.
650 7 _aPERFORMING ARTS / Reference
_2bisacsh
650 7 _aMotion picture producers and directors.
_2fast
_0(OCoLC)fst01027225
651 7 _aChina.
_2fast
_0(OCoLC)fst01206073
655 4 _aElectronic books.
655 7 _aCriticism, interpretation, etc.
_2fast
_0(OCoLC)fst01411635
700 1 _aNochimson, Martha,
_eeditor.
776 0 8 _cOriginal
_z9781118424247
_z1118424247
_w(OCoLC)939596676
830 0 _aWiley-Blackwell companions to film directors.
856 4 0 _uhttp://onlinelibrary.wiley.com/book/10.1002/9781118425589
_zWiley Online Library [Free Download only for SUST IP]
938 _aEBSCOhost
_bEBSC
_n1092356
938 _aIngram Digital eBook Collection
_bIDEB
_ncis33137254
938 _aYBP Library Services
_bYANK
_n12702440
938 _aCoutts Information Services
_bCOUT
_n33137254
938 _aYBP Library Services
_bYANK
_n11225414
938 _aYBP Library Services
_bYANK
_n13137747
994 _a92
_bDG1
999 _c65734
_d65734