000 | 03410cam a22004574a 4500 | ||
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001 | sulb-eb36437 | ||
003 | BD-SySUS | ||
005 | 20180219094742.0 | ||
006 | m o d | ||
007 | cr||||||||nn|n | ||
008 | 140602s2014 inu o 00 0 eng d | ||
010 | _z 2014012989 | ||
020 | _a9781612493435 | ||
020 | _z9781557536815 (paperback) | ||
035 | _a(OCoLC)898177236 | ||
040 | _dBD-SySUS | ||
040 |
_aMdBmJHUP _cMdBmJHUP |
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050 | 0 | 0 |
_aPL2886.O1684 _bZ74 2014 |
082 | 0 | 0 |
_a895.13/52 _223 |
245 | 0 | 0 |
_aMo Yan in Context _h[electronic resource] : _bNobel Laureate and Global Storyteller / _cedited by Angelica Duran, Yuhan Huang. |
260 |
_aWest Lafayette : _bPurdue University Press, _c2014. _e(Baltimore, Md. : _fProject MUSE, _g2015) |
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300 | _a1 online resource (pages cm.) | ||
336 |
_atext _btxt _2rdacontent |
||
337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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490 | 0 | _aComparative cultural studies | |
504 | _aIncludes bibliographical references and index. | ||
520 |
_a"This is the first English-language study of the Chinese writer's work and influence, featuring essays from scholars in a range of disciplines, from both China and the United States. Its introduction, twelve articles, and epilogue aim to deepen and widen critical discussions of both a specific literary author and the globalization of Chinese literature more generally. The book takes the "root-seeking" movement with which Mo Yan's works are associated as a metaphor for its organizational structure. The four articles of "Part I: Leaves" focus on Mo Yan's works as world literature, exploring the long shadow his works have cast globally. Howard Goldblatt, Mo Yan's English translator, explores the difficulties and rewards of interpreting his work, while subsequent articles cover issues such as censorship and the "performativity" associated with being a global author. "Part II: Trunk" explores the nativist core of Mo Yan's works. Through careful comparative treatment of related historical events, the five articles in this section show how specific literary works intermingle with China's national and international politics, its mid-twentieth-century visual culture, and its rich religious and literary conventions, including humor. The three articles in "Part III: Roots" delve into the theoretical and practical extensions of Mo Yan's works, uncovering the vibrant critical and cultural systems that ground Eastern and Western literatures and cultures. Mo Yan in Context concludes with an epilogue by sociologist Fenggang Yang, offering a personal and globally aware reflection on the recognition Mo Yan's works have received at this historical juncture"-- _cProvided by publisher. |
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588 | _aDescription based on print version record. | ||
600 | 1 | 0 |
_aMo, Yan, _d1955- _xCriticism and interpretation. |
650 | 7 |
_aLITERARY CRITICISM / Asian / Chinese. _2bisacsh |
|
655 | 7 |
_aElectronic books. _2local |
|
700 | 1 |
_aHuang, Yuhan, _d1988- _eeditor. |
|
700 | 1 |
_aDuran, Angelica, _eeditor. |
|
710 | 2 | _aProject Muse. | |
830 | 0 | _aBook collections on Project MUSE. | |
856 | 4 | 0 |
_zFull text available: _uhttps://muse.jhu.edu/book/47987/ |
945 | _aProject MUSE - Archive Complete Supplement V | ||
945 | _aProject MUSE - Archive Asian and Pacific Studies Supplement IV | ||
945 | _aProject MUSE - Archive Literature Supplement V | ||
999 |
_c72495 _d72495 |