000			01840cam a22003858i 4500
001			sulb0073313
003			BD-SySUS
005			20200312105734.0
008			170815s2017 nyu b 001 0 eng
010			_a 2017027222
020			_a9781472480392 (alk. paper)
040			_aDLC _beng _erda _cDLC
042			_apcc
043			_ae-uk--- _an-us---
050	0	0	_aPR888.M69 _bJ64 2017
082	0	0	_a823.91209 _223 _bJOG
100	1		_aJohns Speese, Erin K., _eauthor. _92505
245	1	0	_aGender and the intersubjective sublime in Faulkner, Forster, Lawrence, and Woolf / _cby Erin K. Johns Speese.
263			_a1709
264		1	_aNew York : _bRoutledge, _c2017.
300			_apages cm.
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
490	0		_aAmong the Victorians and modernists ; _v4
504			_aIncludes bibliographical references and index.
505	0		_aIntroduction -- A novel feeling: aesthetics of emotion and the modern novel -- Mater sacer: Addie as sublime object in William Faulkner's As I lay dying -- Only disconnect: Ruth Wilcox, death, and the sublime object in Howard's end -- Transcending the rainbow: the possibility of sublime intersubjectivity in D.H. Lawrence's The rainbow -- "What is R?": Mrs. Ramsay as feminism's sublime object in Virginia Woolf's To the lighthouse -- Epilogue: �Zi�zek's mom: theory, feminism, and the mother.
650		0	_aMothers in literature. _934903
650		0	_aSublime, The, in literature. _934904
650		0	_aEnglish fiction _y20th century _xHistory and criticism. _934905
650		0	_aAmerican fiction _y20th century _xHistory and criticism. _934906
906			_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg
942			_2ddc _cBK
999			_c75056 _d75056