000			02920pam a2200409 i 4500
001			021239298
003			BD-SySUS
005			20230903150259.0
008			171018s2018 enk b 001 0 eng
010			_a2017048098
020			_a9781108425216 _qhardback _c£75.00
020			_a9781108441346 _qpaperback
020			_z9781108687881 (PDF ebook) : _cNo price
020			_z9781108643016 _cebk
035			_a(Uk)018767101
040			_aStDuBDS _beng _erda _cStDuBDS _dUk
050	0	0	_aPS3509.L43 _bZ6896 2018
082	0	0	_a821.912 _223
100	1		_aKennedy, Sarah, _d1980- _eauthor. _964447
245	1	0	_aT. S. Eliot and the dynamic imagination / _cSarah Kennedy, University of Cambridge.
264		1	_aCambridge : _bCambridge University Press, _c2018.
264		4	_c©2018
300			_ax, 259 pages ; _c24 cm
336			_atext _2rdacontent
337			_aunmediated _2rdamedia
338			_avolume _2rdacarrier
500			_aFormerly CIP. _5Uk
504			_aIncludes bibliographical references (pages 231-246) and index.
505	8		_aMachine generated contents note: Part I. Sea Voices: Eliot's Tempest: 1. Immersion: Eliot, James and Shakespeare; 2. Hints of earlier and other creation; 3. This isle is full of noises; Part II. Broken Images: Illuminating Time and Space: 4. Vacant interstellar spaces; 5. Looking backward; 6. Luminous recognitions; Part III. Gestation and Resurrection: 7. His dark materials; 8. Dark doubles; 9. Blood for the ghosts.
520			_a"How is a poem made? From what constellation of inner and outer worlds does it issue forth? Sarah Kennedy's study of Eliot's poetics seeks out those images most striking in their resonance and recurrence: the 'sea-change', the 'light invisible' and the 'dark ghost'. She makes the case for these sustained metaphors as constitutive of the poet's imagination and art. Eliot was haunted by recurrence. His work is full of moments of luminous recognitions, moments in which a writer discovers both subject and appropriate image. This book examines such moments of recognition and invocation by reference to three clusters of imagery, drawing on the contemporary languages of literary criticism, psychology, physics and anthropology. Eliot's transposition of these registers, at turns wary and beguiled, interweaves modern understandings of originary processes in the human and natural world with a poet's preoccupation with language. The metaphors arising from these intersections generate the imaginative logic of Eliot's poetry"-- _cProvided by publisher.
530			_aAlso issued online.
600	1	0	_aEliot, T. S. _q(Thomas Stearns), _d1888-1965 _xCriticism and interpretation. _964448
650		7	_aLITERARY CRITICISM / European / English, Irish, Scottish, Welsh. _2bisacsh _964449
776	0	8	_iebook version : _z9781108687881
856			_3 Cambridge University Press _u https://doi.org/10.1017/9781108643016
942			_2ddc _cEBK
999			_c85162 _d85162